Light Me Up: Sometimes it’s the little things that make a home, like this cheap candle makeover from Raechel at Finding my Feet.
Trick or Treat: Stacy shares a simple tutorial for a lollipop topiary at her blog She’s Kinda Crafty. What a perfect way to pass out candy for trick or treaters.
Come to Mummy: Here’s another fun way to pass out lollipops for trick or treaters or classmates. Japanese masking tape plus flat lollipops make these spooky sweet Mummy Lollipops. Get the tutorial from Jessica at Zakka Life.
Looking for ways to add some Halloween fun to your decor? On Craft Buds we’ve featured Halloween printables, fabric pumpkins, and owl smores. Lots of other crafty sites have been working hard on Halloween tutorials so we’ve put together a collection of Halloween themed pillows.
The tutorial for these pennant pillows is at Tatertots and Jello (and these could be cute in colors to match your decor or for any season!).
Here’s a fun recipe for adults and kids alike–owl smores! Let’s just start off by saying, when the items below are the ingredients, you know the final product is going to be good!
To make these owls you’ll need graham crackers, Reese’s peanut butter cups, candy corn, M&Ms, and large marshmallows. To get started, use a sharp knife to cut off the top 3/8″ of each peanut butter cup (PB cups). If you’re having problems with the chocolate peeling off the bottom of the PB cups when you take off the wrapper, try putting them in the fridge or a cool place so the chocolate isn’t as soft.
Line the PB cups up on half a graham cracker so the rounded part hangs just off the bottom. Use the tops of the PB cups you cut off in the step above for wings. Since you need two tops for one set of wings, only half your owls get wings and the other half are wing-less.
Tear a large marshmallow in half and place above the PB cup on the graham cracker, sticky side down. Smush it down a bit to hold in place.
Microwave until the marshmallows start to puff up. On my 1100 watt microwave, it took 13 seconds for two owls. At this point the chocolate should melt enough to stick to the graham cracker. Press a candy corn between the marshmallows and into the PB cup for the owl beak.
Lastly, press in M&Ms for the eyes.
Keep going until your flock is complete!
For a different style of owl without the PB cups and different eyes, check out this post at Living Locurto. I’ve seen other s’mores owls out there but I think Living Locurto’s author Amy gets the credit for the original idea.
Have you ever wondered what it would be like to work for a craft magazine? Please welcome Shannon Miller to Craft Buds today, who has so much insight to share with us into the world of craft magazine publishing!
Shannon is the Art Director for Sew Beautiful magazine and Editor-in-Chief of the new Stitch Craft Create magazine, with the premier issue that hits newsstands Tuesday, October 18.
There’s also a giveaway for your chance to win a copy of the new issue plus craft supplies you can use to make several projects from it!
Shannon, when and how did you get started as the Art Director for Sew Beautiful magazine? What does your job entail?
After I graduated from the University of Alabama, I worked as a graphic and web designer for a government contractor. But while I enjoyed the people I worked with and learned so much, making things like posters about missiles and corporate business cards wasn’t exactly my dream job. A little over 3 years ago, I saw a small employment ad online for a graphic designer with an interest in sewing, which sounded completely up my alley – I am an avid crafter in my free time!
To my delight, I landed the position as art director for Sew Beautiful magazine, and working here for the last several years has been an irreplaceable experience. Sew Beautiful has been around for nearly 25 years and is published by Martha Pullen Company, a wholly-owned subsidiary of Hoffman Media, a special interest publishing company. Here at SB, we have a very small staff, so everyone does a little bit of everything – there is always something to do! I am responsible for the general look and feel of each issue, which includes everything from assisting on editorial planning to photostyling and, of course, magazine layout. I’ve also designed and written several project articles for SB as well; helped us get started in social media platforms; and gotten involved in product development and promotion.
Can you describe your day-to-day work life? Do you work in an office setting or remotely? With a team of other people?
I work in our Martha Pullen Company office in Huntsville, Alabama, where I share an office with Courtney Kyle (MPC graphic designer and Stitch Craft Create art director) and Stacie Turner (web designer extraordinaire). My work days are extremely varied depending on where we are in the production cycle of Sew Beautiful, and now, Stitch Craft Create. At the beginning of a cycle for SB, I spend many days working with my editor, Kathy Barnard, on photoshoots at our photographer’s studio or on location. Since SB is a fine sewing publication with its roots in heirloom, we shoot everything from children in sample garments to styled product shots and detailed stepouts for each article. We often work up to a year ahead of time; for instance, we recently completed many of our spring and summer photoshoots, since they will be in production in the dead of winter when it’s still quite ugly outside.
During the editorial and layout phase of SB, I work on page layout, putting together the puzzle pieces of photography, text, instructional figures and/or stepout photos and any other content into the allotted page count for each article. I also prepare the pullout centerfold pages that are in each issue, which contain pattern pieces, templates and additional instructions for some articles. Each article is proofed several times and then each pages is prepared for printing. Once the magazine is gone to the printer, we work on follow-up articles or videos that we have decided to put on our website, and immediately jump in on the next issue.
During the production of Stitch Craft Create, my workdays were fast, furious and full of coffee! Any given day was devoted to developing our style guide and planning editorial content to working with contributing designers, physically making crafty projects, shopping for photography props and attending photoshoots, writing and rewriting copy and getting a head start on promotion through social media. Our whole production team was incredible in helping one another manage our existing duties; the Christmas issues of SB and SCC were due to print within a week of one another, and Courtney was also wrapping up a special holiday issue for yet a third publication. It was a tad stressful around here, but with lots of chocolate breaks, we did it!
You mentioned that Stitch Craft Create has been a dream in the making for several years. Can you tell me a little bit about the vision behind this new magazine?
The vision for this new magazine was first introduced to our team a couple of years ago by my incredibly creative supervisor, Leighann Lott, our VP of Creative Development for Martha Pullen Company. We brainstormed together to develop a proposal for a new craft title that would inspire, encourage and motivate the contemporary multicrafter, and we dreamed that it would apply a positive, can-do attitude to living creatively as well as offer fresh, fabulous project ideas and features. Our dream market was on-trend crafters who are interested in all things handmade, and internet-savvy women who are in touch with what’s hip and fun in the modern crafting industry, and don’t feel they have to stick to one genre of craft. We also knew that “crafty” was no longer a word with negative connotations, and we wanted to bring that to life in a newsstand publication.
For the premier issue, how did you go about selecting projects and deciding on the look and feel of this new magazine? What can readers expect to see inside?
Since our aim was always to explore a wide variety of crafting genres, we knew we needed a way to tie everything together so that the final result wasn’t a confusing mishmash of projects. It was also extremely important to us that we stick to a clear style guide, one that could carry over not only different types of articles, but different applications such as web, product development and other media. It occurred to us that choosing a loose color scheme for every project and article in the issue would help draw everything together, so we chose a palette that we felt would be appealing and popular for this season – a fresh, vintage-inspired collection of mint green, light blue, red with lots of white and touches of golden yellow. I had been very inspired by the “look books” being created designers and artisans to help customers visualize their brand; so before we even started contacting designers and working on photography, we made a one-page style sheet in PDF form that could accompany our editorial outline as a visual guide for the book. On it, we included our logo, Pantone color swatches, six inspiration photos and a handful of key words and phrases. Having that style sheet on hand was, I think, one of the best decisions we made, and the response from our commissioned designers was very positive; they found the direction helpful, and we referred to it ourselves throughout the production process to help us stay on track.
As far as selecting projects for the issue, we wanted to pull at least one thing from each of the major crafting topics that are popular right now; so inside, readers will find papercrafting; sewing and embroidery; felt and yarn crafts; fashion accessories and seasonal decor; holiday entertaining, gift-giving and packaging ideas; and other features such as new craft gadgets and a feature interview with the lovely Anna Griffin. A preview of the Table of Contents can be found on our website; we tried to jam as much inspiration into each page as possible! There is certainly a lot to be seen and read in these 130 pages.
Sounds great! When can we expect to see the next issue out?
Well, our Holiday 2011 is a “test” issue – so please, go snag a copy! All joking aside, we are extremely hopeful that sales are strong so that we can justify creating another one. If that is the case, we would like to aim for creating a second issue in late spring. I’m already envisioning a bright, energizing issue with pages that are bursting with amazing color and design. Shameless self-promotion warning: you can order a copy here, or buy one on newsstands at most craft, hobby and bookstores across the U.S. starting October 18!
What is something that most people don’t realize about your job?
When you work with a team, what you produce is only as good as your weakest member. I am so lucky to work with such incredibly talented individuals who have as much passion for what they do as I, and I know that any of our success is a direct result of that! Having good communication with your fellow staff is something that should NEVER be underestimated. We kept in check from Day 1 of the production of SCC with regular meetings, constantly updated check sheets and mini-goals to get us to our seemingly impossible print deadline. And, setting the standard for high morale and a “we can do this; we are awesome” attitude is the best way to keep up the pace on productivity! Without our efforts to keep one another positive and on-task, combined with each team member’s genuine enthusiasm for making Stitch Craft Create a reality, I’m not sure our final product would have been nearly as fabulous.
Well, aren’t we lucky? Shannon has put together an amazing giveaway bundle of craft supplies (a $65+ value) for one lucky winner! It includes:
To enter to win all of this goodness, please use the easy new Rafflecopter form! (We’re trying it out, just for fun. U.S. entries only, please.)
And if you just can’t wait to check out this mag, you are in luck. Stitch Craft Create can be ordered online or purchased on newsstands in book and craft store across the U.S. starting next Tuesday, October 18. And on that same day, we’ll announce a winner!
Looking for an easy DIY pumpkin? Look no further! Here’s a cute way to make them out of fabric. You could even have an older child make or help make them.
To get started you’ll need orange fabric (cutting instructions below), leaves cut from green fabric (felt or fleece would be ideal), 2″ piece of stick, embroidery floss, heavy duty thread and needle, a glue gun, brown or tan raffia, and a sewing machine (optional).
1. Cut your orange fabric into a rectangle. For a rounder pumpkin, the length should be 2 times the width (ex. 10″ wide by 20″ long). For a slightly squattier pumpkin, the length should be 2.5 times the width (ex. 10″ wide by 25″ long).
2. Fold the orange fabric lengthwise with right sides together. Use a sewing machine or hand stitch along the open edge.
3. With right sides still together, gather up the fabric at one of the openings and tie securely with embroidery floss. A rubber band rather than floss could also work but may not be as durable over several years.
4. Turn the pumpkin right side out. Loosely hand stitch around the opening of the pumpkin with a 3/8″ seam allowance with stitches around 1/4″ wide. Use a heavy duty thread so it doesn’t break when you pull it in step 6. Leave loose tails hanging off at both the beginning and the end and don’t tie any knots.
5. Fill the pumpkin with stuffing until it is fairly firm.
6. Pull the ends of the thread stitched around the top until the opening is closed or nearly closed and tie several knots. Trim off the long ends of the thread.
7. Take your embroidery floss and tie a tight circle around the pumpkin and leave around a 6″ tail. (For reference, I needed about 4 feet total of embroidery floss for a pumpkin that used the fabric measurements of 10″ x 20″).
8. Next, wrap the long piece of the embroidery floss twice around the pumpkin diagonally from your first line so there are six total segments. Tightly tie the string to the tail left from step 7.
9. Use your glue gun to make a large dot of glue in the top center of the pumpkin. I’m using white glue so you can see it in the photo but clear would be best. Press your stick into the hot glue.
10. Use the hot glue gun to attach your leaves.
11. To finish, wrap a piece of raffia around the base of the stem to hide any excess glue.
12. After this step you can call it finished, or you (or kids!) could cut jack o’lantern faces out of felt and hot glue them to the pumpkins.
We’ve been chatting with the lovely Anna at Crafty Girls Workshop and had a great idea for a color-themed fabric swap, and we hope you join us!
For this fabric swap, you will choose one yard of modern fabric that’s yellow, aqua, gray or a combination of those colors. After the yard of fabric is cut into 5-inch charm squares (see this tutorial for details), you will have 56 charm squares which you will then mail to a central location to be sorted and swapped with others. In return, you’ll receive 2 charms each of 28 prints. What a great stash builder!
Please read through all rules first, then click the link at the bottom to sign up! This swap will be first come, first served. It is limited to 28 spots. (U.S. and International swappers welcome, but postage is at your own expense.)
1. We will be swapping modern, quilt-store quality fabric only. (No JoAnn’s, please.) If you have any questions about what would be considered modern fabrics, we’re happy to make suggestions! Prints or Solids are both okay for this round as long as there are no duplicates.
2. Once you’ve been accepted into the swap, we’ll send you confirmation and you can claim your choice of fabric. We’ll post a linky here so you can see the fabrics we have so far and choose a coordinating print.
3. There is a generous 15% discount on your order through Crafty Girl’s Workshop with the coupon code CRAFTBUDSWAP. In fact, Anna has graciously volunteered to do all of the hard work for swappers purchasing fabric from her shop. When you place your order, you’ll “add to your cart” a nominal $2.50 cutting fee (also covers PayPal’s transaction fee) and she’ll cut it up for you right there at the shop, and all you have to do is sit back and wait for your lovely assortment of pre-cut fabric to arrive in the mail! This is actually the same cost as shipping your fabric to her within the U.S. (but less work!), and a cheaper option for International swappers. (Deadline for orders will be November 2, 2011.)
*Normal shipping charges for a yard’s worth of fabric also run about $2.50 within the U.S. ($4.81 Canada & Mexico and $6.77 everywhere else), so your fabric will be 15% off, plus shipping and the cutting fee if you choose this option.
4. If you already have one yard of fabric in these colors, you are welcome to cut the charms yourself and mail them to Anna for sorting. (Crafty Girls Workshop, 1100 Broadway Suite #311, San Antonio, TX 78215.) For this option, make sure you include a self-addressed-stamped envelope marked with the same postage for shipping back to you. You’ll want to put your fabric in a plastic zip bag and envelope and have it weighed at the post office before sealing it with your SASE inside. If you don’t wish to do Option #3, please have your 56 charm squares mailed to Anna by November 9, 2011, mailing early for international shipments.
Only the first 28 people will get to join this swap, so please fill fill out the form here with your contact info to join.
This swap is now full! If you signed up, please look for an e-mail with more info on selecting your fabrics, and please share a link to your fabric in the linky below!
If you are ordering from Crafty Girl’s Workshop, please select your fabric, then include a link to it here so no one orders the same kind. You can find a selection of color-appropriate fabrics on the front page.
You are now free to place your order for one yard of fabric with the 15% discount code CRAFTBUDSWAP.
Be sure to add the $2.50 cutting fee to your cart before checkout, so she knows you are a swap participant!
If you are cutting your own yard of fabric, please also link up a photo of your fabric choice here, from somewhere online, to avoid duplicates!