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How to Write a Craft Book Proposal

Craft Book Proposal

So, you’re thinking about writing a craft book proposal. Congratulations! If you have a unique book concept and are ready to take that next step, here are some tips we’ve gathered from the experts.

Do Your Research

Any good book proposal starts with research, and that includes craft books, children’s books, cookbooks and more. Search Amazon, your library and the bookstore for titles that are similar to your book concept. (This is assuming that you already have an idea in mind.) As you look through these books, ask yourself:

How is my book idea similar to or different than the competition? Find examples of similar books and take notes on who publishes them, how many pages, and read the reviews online.

Who would read this book? Is this targeted toward teens, their parents, a certain demographic? Is it for beginning crafters or highly-skilled artists?

How original is my idea? Is my idea too vague, with 5 or more printed books on the topic? Is my concept too narrow, with very few readers that would be interested?

Is the idea based on a trend, or is it here to stay? If based on a trend, keep in mind that books can take one to two years to publish, so the idea should still be fresh when books are being rolled off the presses.

New Releases Amazon craft books

Study Publishers

Craft book publishers vary widely in the types of books they publish and the number of titles they put out in a given year. Before approaching any publisher, it’s important to ask these questions:

What kinds of books does this publisher like? You can look at recent and upcoming releases on Amazon and take note if they seem to specialize in a certain craft (knitting, mixed media, painting, jewelry, sewing, etc.).

What is the publisher’s aesthetic? Is it more traditional or modern in approach? See if they publish mostly project and how-to books or topical books, such as a history of a particular craft.

Is the publisher currently accepting book proposals? If not, it should say so on their website.

Are their authors well-known? Some publishers stick to authors with a huge blog following or branded products on the market, while others seem to target up-and-comers. Although it’s not always a deal-breaker, having your own audience is becoming increasingly important in craft book publishing.

Does the publisher prefer for you to send a query before sending the whole proposal? A query letter is a one-page summary of your idea, with a quick author bio and contact information. The purpose of sending a query is to save you time (and the editor time) if they are not currently accepting book proposals like the one you’d like to write. For instance, ABC Books might have all Christmas craft books lined up through 2013, which means your idea is best suited to another publisher.

Is there a specific form or survey you need to fill out? If not, see the elements of a book proposal section, below.

Do they expect electronic or mailed proposals?

Does the publisher allow simultaneous submissions? If not, choose your top pick of publishers to work with, and let them review your proposal first before sending the info to anyone else.

Once you’ve determined that this publisher would be a possible fit for your type of book, search for their submission guidelines online. Here, the publisher will tell you very specifically how you can communicate with them. Follow these directions very carefully, as this will be your first impression!

Laptop sleeve by Martice on Etsy Flickr /Anastasia Egórova

Elements of a Book Proposal

Though publishers may vary on their requests, these are the most common elements of a craft book proposal.

Summary: Envision the book jacket text of your soon-to-be published book. What would it say? How would you sell your idea an convince someone else to buy it? An editor may love your work, but publishing a book requires a marketable idea that will sell books.

Table of Contents: A proposed outline of the book’s contents, which is subject to change but is a good indicator of the direction the book is going. This is where you would describe the proposed projects in the book and also list any introductory material or extras, such as patterns or a supplemental CD to be included.

About the Author: This is not the time to be shy. Sell yourself and include links to where you’ve been published before. How long have you been creating and what makes your work unique?

Market for Your Book: Who will buy your book? Specify an age range of the typical reader and state if your book is targeted toward busy-yet-crafty parents, school-age children or crafting bloggers. This is the time to reiterate that the information contained in your proposed book is more valuable than what can be found online for free.

Competition for Your Book: State the competition (remember the notes your took earlier?) and tell the publisher why your book concept will stand out from the competitors.

Sample Chapter or Project: If you are proposing a project-based book (with a number of themed sewing projects, for example), you should include photographs of a sample project and detailed assembly instructions. Mixed media artist Margot Potter suggests creating as many as 6 project samples. These should not be projects that you have previously published on your blog or Flickr account, but something new and unseen. Author Jessica Levitt submitted one large sample project, a quilt, as well as images of her previous work and sketches of her proposed designs for the book Modern Mix.

Length and Format: If you don’t know how many pages your book will be, look at similar books and make an educated guess. (You can find this information on Amazon.) Will your book include patterns or extras like a CD? Are full-color photographs or illustrations necessary?

Marketing Ideas: Do you have connections with any stores that may sell your book? (i.e., do you already sell patterns through a network of stores?) Do you have a blog following? Start thinking about ideas that you can implement to help the publisher market your unique book idea.

According to The Crafty Chica, her recent finished book proposal was around 30-35 pages typed and double-spaced. There are no hard-and-fast rules on the length, but remember that the goal is to provide the publisher with as much information on you and your book idea to make an informed decision.

Craft Book Shelf

Shopping Your Book Proposal

When you are satisfied with your book proposal, it’s time to send it off. While book proposals were traditionally printed off and mailed to the publisher in a hard copy, these days most publishers prefer emailed copies, along with digital photographs of sample projects.

An alternative to working directly with a book publisher is to hire an agent to represent your idea, and to “shop around” your book proposal on your behalf. The advantage to hiring an agent is that he or she will probably have some great industry contacts and might be able to save you from submitting to a publisher that is not a good fit for your idea. The downside is that an agent will take a cut of a published book’s royalties, so you’ll be splitting the commission with someone else. However, an agent may be able to negotiate a better deal for you, so working with an agent or going solo is really a matter of preference.

On the whole, the craft book industry is open to authors who work solo as well as those represented by agencies. In other genres, such as fiction writing, it may be more difficult to secure a book deal without an agent.

The acquisitions editor (responsible for “acquiring” new titles for the publisher) is the person who will review your proposal. You’ll need to allow several weeks for them to review your concept, so it’s not necessary to check in during that time frame. It’s best not to annoy the editor, and to be polite and courteous in all of your communications. This is also the time to make sure you are spelling his or her name correctly.

If a publisher is interested in your book proposal, you’ll have the option to review a contract and see if the terms are agreeable. The contract will most likely prohibit you from selling or publishing your ideas elsewhere during the length of the deal, so make sure you fully agree with the publisher’s terms and vision.

If the response is a “no,” it’s time to move on to the next publisher on your list! Take into account any valuable feedback or critiques of your book proposal and decide if you want to revise the proposal before sending it to the next publisher. You’ll want to allow another several weeks for review.

If you’ve made it to the end of this submissions process with no successes, you may be disappointed, but there are still other avenues for you to see your work published! Consider submitting a few projects to magazines or websites to get a little more experience or publishing new tutorials to your personal blog to drive traffic your way.

Remember that a publisher reviews so many book proposals on a regular basis, that it’s not realistic to believe that you will succeed on your first try. Try, try again! Give it some time, and a slight twist on your original idea might be just the ticket to success.

More Resources:

  • We love these book publishing tips from multi-book author and mixed media artist Margot Potter.
  • Check out this Q&A with acquisitions editor Susanne Woods of Stash Books at Sew Mama Sew.
  • The CraftyPod podcast on craft book publishing discusses working with an agent (do you need one?) and talks about trends in book publishing as crafting in the blogosphere increases.
  • How to Get An Editor’s Attention. Allison Korleski (Interweave Books) discusses craft book publishing and answers reader questions.
  • Does your Craft Book Proposal Stand Out? A helpful Q&A with Tonia Davenport of North Light Books.


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Does Your Craft Book Proposal Stand Out?

I’m happy to welcome Tonia Davenport to Craft Book Month! Tonia is the acquisitions editor at North Light Books (a division on F+W Media focusing on craft book titles). She is also a mixed-media artist and a jewelry designer.

Tonia is here to tell us some more about how to write a craft book, including putting that proposal together and selling your idea to the right publisher for your work.

Tonia Davenport

Tonia, how did you get into your career in craft book publishing?

I get asked this question a lot. Prior to working as an editor, I had been a professional picture framer for ten years (with a Bachelor’s degree in Visual Communications [a.k.a., commercial art/graphic design]). I absolutely loved framing because it exercised both halves of my brain as well as let me work with my hands. But after ten years I felt I had pretty much mastered the art and I was ready to grow in a new direction.

I had adored building something to house art and after having seen an employment ad for a craft book editor’s position at North Light, a light bulb went off when I considered the possibility of building something to house craft instruction. I had been a craft book junkie for years and was very excited at the prospect of “building books” which I hadn’t really thought of before. While I had no formal education in English, nor any job experience in editing, I did have a passion for books, making things and writing. In fact, my mom tried to encourage me to take that path in collage, but I chose the art route.

I am a firm believer in the power of intention setting. I got the job—my dream job, really—and it’s been a rewarding, fun and fascinating journey ever since. (I’ve had the job for eight years now.) Believe in what you know you can do.

Take Along Knitting book
How does a book goes from a mere concept to a reality?

It takes a special kind of concept for a book to work well—a concept composed of three key elements.

First, the content must be extensive enough to fill at least 128 pages. Many times people have really great ideas for using a small handful of techniques on a whole lotta projects and the projects all look GREAT. But the process used to make them is the same. So there just isn’t enough to say to keep the book compelling without being repetitive. As my coworkers love to say, these are ideas that would make great magazine articles. It takes not a few great ideas, but many great ideas to fill a book.

Second, the concept must appeal to one of our core audiences. On the F+W Media Craft Team, we have several categories that we publish in, including sewing and quilting, knitting and crochet, jewelry, papercrafts, scrapbooking and, of course, my personal favorite, mixed-media art. Within each of these categories, we have unique audiences with different needs and likes. What works as a papercrafting book for one publisher, may not work for another. As editors, we get to know intimately what our audiences have come to expect from us in terms of project styles and technique levels.

Stitched Whimsy

Third, the bottom line is, your art or work must be attractive and of good quality. I realize this can be subjective, so I will say it has to be attractive to the acquisitions editor. Again, we know our readers and we are seasoned at being able to tell if they would be inspired and excited about a project or not.

So, with those three components in mind, a proposal is developed from a concept and submitted to an acquisitions editor. It is reviewed and if it’s deemed worthy of pitching the concept to the board that approves publication, it’s fine-tuned, presented and  approved.

It takes roughly one year from the time the book is proposed until it hits the bookshelf. The “reality” of the forming of a book involves many people: the author, the acquisitions editor, the production editor, the designer, photographers, stylists, production managers, marketing experts and sales people. Each of these people touch the book as it goes from a concept into a published work.

Twisted Stitches book

What are the basic components of a good book proposal?

  • A short one-to-two sentence summary of what your book is about or aims to do.
  • An outline. Organize what you would like to see go into a book by using an old-fashioned outline. Divide what you want to present into sections (which could go by technique or theme) and include details such as what projects might look like and what techniques will be used for each.
  • Good sample projects! Think of a portfolio. You don’t want the acquisitions editor to have to use her imagination to see that the prototype you whipped up in an afternoon can actually look much better if you were to spend some real time on it. Show your best work. Your BEST. Great first impressions are incredibly valuable.
  • Contact info and platform. Include your full name as you would want it to appear on a book, address, phone number, e-mail and blog/website URL. Also let the acquisitions editor know how you plan to promote the book. Will you sell the book at workshops you teach at? Will you mention various things from the book to your Facebook friends? An impressive platform will set you apart from someone else with a similar proposal.
  • We also offer submission guidelines on our company’s website. Providing the answers to these questions along with your proposal is very helpful. (It also helps you know what we are looking for.)

New Dimensions in Bead and Wire Jewelry

How do you see the craft book industry changing with the technology available today? (E-books, e-patterns, blogs, etc.)

Good question! It’s becoming more and more challenging for publishers to compete with content available on the Internet. We are simply having to rethink ways of delivering content apart from just the printed form. This can sometimes make the justification of publishing a book more of a challenge because we have to ask ourselves, “What will this paperback book offer the reader that is exclusive and cannot be easily found for free online?” At F+W Media, meeting the changing needs of enthusiasts is top priority and we are changing daily to keep up with the digital needs of our audience—constantly making improvements and rethinking how we do things. There is a lot of excitement over new possibilities.

Mixed and Stitched book giveaway

Do you have any tips for aspiring craft book authors?

Go to the bookstore! Look in the craft section (as well as on your own shelf) and see what pops out at you. Look through books and, note who the publisher is for books you like. Equally important is to see what’s already out there. Decide what you can do differently. Know not only what your competition is going to be, but who might be best suited to publish your book.

Giveaway!

North Light is generously giving away a copy of Jen Osborn’s new book Mixed and Stitched to one lucky Craft Buds reader! To enter to win, just leave a comment on this post telling us something you’ve learned from this interview or a question you have about craft book publishing. We’ll draw a winner this Friday, 9/23. This giveaway is now closed. Congratulations to comment #21, Jil!

Also this week, stay tuned for a review of Mixed and Stitched and some other fun surprises.

Winner! Out of 106 comments, the winner of the Sewing with Oilcloth giveaway is #20, Valerie, who said, “I’ve never done it, but I am interested in trying it for Christmas gifts!” Congrats Valerie!

Craft Book Proposal: How to Get an Editor’s Attention

Allison Korleski Please say hello to Allison Korleski, Acquisitions Editor for Interweave Books! Allison is here with some very helpful information for aspiring craft book authors about how the process works. We are so excited to have her insight today as part of Craft Book Month at Craft Buds.

Welcome Allison! Can you tell us a little bit about your job as an acquisitions editor?

I started a little over a year ago. Before that I had been a buyer for a book store for many years, including craft and DIY books. I knew Interweave, and found what they were doing in terms of direct marketing and on-line and eMedia development to be really forward-thinking. (Speaking of which…we just started a new site called FlockShop.com, which offers limited-time deals on a variety of craft products—one item at a time.)

I work out of my apartment in NJ. On top of learning a new job, just getting used to working alone at home was a BIG adjustment. Setting up my home office definitely gave me a new-found appreciation of the IT department. I go visit Interweave’s main offices several times a year—usually for a week or 2 at a time. While there are things I love about working at home, I miss the camaraderie and osmosis of ideas one gets in an office environment, so this lets me have a good balance. The book department has around 14 people in it—that’s editorial, sales, production, and art. I wish I could effectively summarize what an amazing bunch of people they are. Finally, one of our book editors lives in NYC, so we try to get together at least once a month. Our goal is to establish an informal “Interweave East”!

Interweave Books What does your day-to-day work look like?

Day-to-day can vary. I’m generally juggling many proposals at any one time, all in various stages of development. I work with the authors, help focus and develop their ideas, create an outline for the book to give it shape, discuss the types of projects to be included, materials used, and skill levels to be covered. I also spend a lot of time researching designers, trying to get a feel for their style and approach, and an understanding of what sets them apart and makes them special. I troll blogs and websites, look at what is coming out from other publishers, look at trade and craft shows to see what people are teaching, and what trends are evolving. I travel to several shows a year—Quilt Market, TNNA, Beadfest, Tucson bead show, assorted fiber and knitting shows. I also attend the Frankfurt Book Fair in Germany; Interweave works with several publishers in the UK, Europe, and Japan. I also spend a lot of time looking at magazines and craft books, and talk to people at my local yarn and bead stores to see what they are interested in. The research never stops. The one downside is that I wish I had more time for my own knitting!

Weekend Hats book

I’m more or less the gateway to publishing with Interweave, and I take that very seriously. I have a dual responsibility: to be the “face” of interweave, represent my company, find wonderful talent, and make sure that we continue to produce great books for our audience. At the same time, I also have to be an advocate for the authors I work with—to clearly represent their ideas and vision for their book, and make sure that gets translated into the final product. I really believe in every author and project I bring to our editorial group—there’s usually some sort of mind-meld that goes on—so I advocate for them as strongly as possible. All books need to get approved by our editorial group, which is made up of editors, sales and marketing, the editorial directors of our magazines, and others. I have to make a case for each and every book I present; I’m in the hot-seat every meeting, so I need to work with each author to make their presentation rock-solid from the beginning.

I spend much of my time talking with authors, going over what they’ve sent me, discussing projects, evaluating strengths and weaknesses, and discussing the next step. Sometimes we have a breakthrough and decide to change direction completely! At the same time I’m working with our art and production departments, assessing costs for each book, and keeping the author’s vision in mind while I assess what her book will need. I also handle all contract negotiations once we approve any book idea.

Crafters Guide to Taking Great Photos

When considering a new craft book proposal or query, what catches your eye?

Originality, technical skill, and doing their homework. New, innovative ideas or beautiful work will always catch my eye, but a well-crafted proposal will keep my attention. Most publishers post proposal guidelines on their websites, and potential authors should really check those first. Look at what other books a publisher has done, and make sure that your general topic fits with their publishing program. If you are a quilter, you don’t want to approach a publisher who specializes in jewelry. Interweave doesn’t publish books on paper craft, so a card-making proposal isn’t right for us, though it could be perfect for someone else. And even if your children’s picture book has knitting in it, understand that craft publishers may be reluctant to take on such a project.

Understand what you need to do: If you have an book idea but are not sure where to start, a query letter is fine. This is simply a brief email asking if we have any interest in x, along with a sentence or 2 about your background. If you want to do a book on lace knitting, but it happens that we are already working on two or three, it can save you much time and effort to know our interest up front.

Fresh Quilting book

When it comes to sending a formal proposal, we don’t want a complete manuscript, but we do need an outline and summary of your ideas, accompanying images of projects, and a brief writing sample to get a sense of your voice. This doesn’t have to be intimidating—a few paragraphs explaining your book and why you want to write is generally fine. Take the time to research competing books, and be able to articulate how yours is different. Be as specific as possible: a vague proposal of “15 cute knitting projects” with no further details won’t get very far. SEND IMAGES, but please do not send actual projects unless the publisher asks for them. Not everyone works in a company office, and it’s far too easy for projects to get lost or misdirected. Let us know about yourself: your experience, any classes you teach, designs you publish, blogs or websites. And email is by far the best way to send in your proposal!

Be courteous and professional. If you think current books on a topic are lacking information or don’t cover something yours does, that’s a perfectly fair argument you can make. Simply saying other books are boring or ugly is not. Your presentation speaks as much about you as your proposal does. Proof-read for spelling errors, and make sure you are clearly stating your ideas. And I have to be honest, a proposal that begins with “Hiya!” or “Hey, craft lady’” doesn’t strike the best opening note.

Show us your best: when I look at images of your work, I’m looking at both aesthetics and technique. Your projects may be adorable or beautiful, but sloppy or poorly finished work rings an alarm bell. Make sure seams are straight, edges finished, wirework smooth, loose ends woven in, and everything is as polished as you can make it. This is your baby—you want to show it to its best advantage.

A proposal is like an audition, and the author should put as much effort into it as they would into their work.

Spin Art book

After a book proposal has been accepted, what is the typical timeline for publishing a craft book (including writing deadlines, photo shoots, publicity, printing, etc.)?

It can vary. I typically assume the author will need 6 months to a year to complete the manuscript and projects, depending on what she has going on in her life, and make sure to discuss that with her. Once we have the manuscript and projects, it takes another year for us to create the book. We photograph everything ourselves, create illustrations and charts, tech-edit, film any accompanying DVDs, etc. Our marketing and publicity departments get into high gear a bit closer to the book’s publication date, and run full-throttle. A typical list of promotional efforts (blogs, interviews, print ads, Facebook, YouTube, and twitter, email campaigns) can run for more than 2 pages!

What books are you most excited to see in stores this fall? Can you tell me a little about how they came to be?

Oh—we have several! (Unfortunately, I was not at Interweave when these were acquired. Next season.) Mathew Gnagy’s Knitting off the Axis comes to mind, as does Connie Chang Chinchio’s Textured Stitches. Personally, I’m a sucker for interesting construction, which Mathew’s book has in spades. Everything is knit sideways or on the diagonal, and he really gets one thinking about the architecture of knitting. As for Connie, I’ve been a fan of hers for years, regularly picking out her projects in books and magazines. She has such a knack for creating knits one wants not only to knit but to wear (and wear and wear) afterward.

Textured Stitches

Jacey Bogg’s Spin Art blows my mind—the yarns she creates are works of art in themselves, and there seems to be a growing appreciates of yarn for yarn’s sake. Along simpler lines, Weekend Hats is a great collection of hats for every knitter—simple to complex, for both men and women, and perfect quick projects for giving and keeping.

Finally, we have The Crafter’s Guide to Taking Great Photos. It’s a non-tech-y guide specifically for the crafter/DIY audience: all those bloggers and people on Etsy who do great work, but need a little help showcasing it to their best ability. It shows how to get slick, professional-looking photos without a studio or professional equipment, and troubleshoots things like making your own lightbox, avoiding camera shake without needing a tripod, and how to highlight project details. It’s divided into sections on specific craft areas (jewelry, fabric, furniture, etc.) to offer advice particular to each.

Are you a crafter yourself? How do you spend your free time when you’re not hard at work publishing craft titles?

I’m quite an enthusiastic knitter, I do basic bead and wirework and have experimented at metalwork. (the resultant pieces were never worn, nor should they have been.) I’m a lousy enough sewist to really appreciate the talent of others, and I learned how to spin last year. Crochet is still on list—I can do some basic stitches, but do not consider myself a true crocheter yet.

I Am Cute Dresses

Giveaway!

Interweave is giving one lucky winner a copy of the new book, I Am Cute Dresses: 25 Simple Designs to Sew by Sato Watanabe. To enter, leave a comment telling us something you’ve learned about book publishing, or a question you have for Allison. We’ll choose a winner on Friday, September 9.

Update: The giveaway is now closed. Congrats to R Carter!

Craft Book Month at Craft Buds

September is Craft Book Month!

It’s back-to-school season, and September is time to hit the books. Craft books, that is! Big, beautiful craft books. Stunning photography. Crisp, glossy pages. Hard covers or soft. We just love craft books, and we know you do, too. All month long, we will celebrate modern craft books by reviewing new releases, interviewing authors and editors who make the magic happen, and crafting projects from the books we spotlight.

What’s in Store?

Weekly craft book giveaways, a month-long linky party for craft book projects (see below), and a chance for you to learn from our experts. If you’ve ever dreamed of writing a craft book, we also have some fantastic tips on how to get your book published!

The Experts

Find out what catches an editor’s eye from Allison Korleski, Acquisitions Editor for Interweave Books. It may be simpler than you think!

Stay true to your vision while working agents and publishers. See how Shelly and Karen from Patterns by Figgy’s did just that with their first book, Sewing for Boys (Wiley Publishing).

Sewing for Boys book

Learn how to pitch a book with Tonia Davenport, Acquisitions Editor for North Light Craft / F+W Media. She’s got some great tips for aspiring craft book authors.

From blog to book deal. How did she do it? Ask Jessica Levitt, author of new release Modern Mix (Stash Books / C&T).

Modern Mix book

Thinking about opening your own patterns shop, and maybe writing a book, too? Meet Kay Whitt, author of the new book Sew Serendipity Bags (North Light).

Linky Party with Giveaways!

In honor of Craft Book Month, we are hosting a linky party all month long to celebrate. From September 1st through 30th, you may link up one of your favorite craft book projects below for a chance to win some fabric, books, patterns and more. The prizes include:

One winner: Doodle Stitching book + Japanese fabric from Craft Buds
One winner:
Autographed CosmoGIRL Cool Room book + Kona Charm Pack from Craft Buds

Doodle Stitching + Japanese fabric Autographed book + Kona charm pack

One winner: Cloth Paper Scissors book (from Interweave), Paper + Craft book and Fiskars decorative-edged scissors from Craft Buds

Paper Crafting Books + Scissors

One winner: Girl’s World book by Jennifer Paganelli, courtesy of Sis Boom.

One winner: The Practical Guide to Patchwork book courtesy of Dewberry Lane.  (Dewberry Lane is also offering free U.S. shipping on all orders placed during September with the code FREESHIP. Check out her books and patterns.)

One winner: $25 shop credit to My Little Sunshine Handmade

My Little Sunshine Handmade BWS tips button

One winner: 2 sewing patterns of your choice from Pattern Patti
One winner:
Three vintage sewing patterns; selections from Goofing Off

Pattern Patti on Etsy

 

Ready to share your craft book project? Here’s what you need to do to participate:  (Please read carefully)

  1. Create a NEW blog post. Share one project you’ve made from a sewing or general craft book and let us know which book it came from. The project doesn’t have to be brand new, never seen before on your blog – just something you’ve whipped up in the past that you love.
  2. One entry per person. Everyone who links up to the party with the Craft Book Month button will be eligible for our sponsored giveaways!
  3. Link back to Craft Book Month in your post.  You can do this with a button, just copy and paste the HTML code into your post. 
  4. Share the direct link to your post in the linky below. Right click on your post URL to copy link address, then paste it in the linky.
  5. Visit some of the other craft book projects and be inspired! If you are on Flickr, you may also add your photos to the Craft Buds group pool; however, you must also link up the URL of your Flickr post to this linky to be eligible for prizes.
  6. Random winners from the linky party will be announced on October 1, 2011. Giveaways open worldwide. Stay tuned for additional craft book giveaways to be held each week in September (winners announced on Fridays) which will be open to both bloggers and non-bloggers.
  7.  

Subscribe to Craft Buds Subscribe to Craft Buds now so you don’t miss any Q&As, projects, or giveaways! We’ll also update this page with links to each interview, so feel free to bookmark or pin it. Pin It

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